Static ceramic bodies coexist with volatile audiovisual systems driven by climate anomalies, producing an environment where change accumulates without repair, and legibility collapses before matter does.


This installation approaches the human body and natural environments as co-dysregulated ecosystems, operating beyond sustainable thresholds of regulation.

Rather than proposing connection, harmony, or repair, it situates both body and landscape within shared conditions of saturation, exhaustion, and delayed collapse. What is staged here is not crisis as event, but instability as condition. The ceramic forms are already fired, already fixed. They do not respond visibly to incoming information. They hold the position of matter after transformation—bearing stress, memory, and irreversibility. They are not metaphors for inner states, nor symbols of nature. They function as terrain: material that has absorbed more than it can metabolize and now persists without the capacity to regulate further. Around them operates a volatile system of moving image, sound, and light. This system is driven by temperature anomalies associated with Europe, not as visible data but as invisible pressures. Climate information is not presented as numbers, maps, or explanatory visuals. Instead, it enters the installation as forces that destabilize coherence, rhythm, and spatial habitability. The work does not show climate change; it enacts how systems under pressure lose their capacity to remain intelligible.